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c. 1445 – May 17, 1510. Italian painter.

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William Hodges
Wooded river landscape with a waterfall

ID: 42086

William Hodges Wooded river landscape with a waterfall
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William Hodges Wooded river landscape with a waterfall


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William Hodges

English Painter, 1744-1797 English painter. He first attended classes at William Shipley's Academy in the Strand, London, and from 1758 to 1765 was apprenticed to Richard Wilson (about whom he published a short biographical essay in 1790). Hodges followed Wilson's classical landscape style periodically throughout his career.  Related Paintings of William Hodges :. | Wooded river landscape with a waterfall | Review of the War Galleys at Tahiti | A View of the Pagodas at Deoghur | A Cascade in the Tuauru Valley, Tahiti | Dusky Bay |
Related Artists:
John Melhuish Strudwick
1849-1937 British John Melhuish Strudwick Gallery
MEMLING, Hans
Netherlandish Northern Renaissance Painter, ca.1435-1494 South Netherlandish painter of German origin. Together with Dieric Bouts I and Hugo van der Goes, he was one of the most important exponents of the new artistic developments that flourished in the southern Netherlands in the 15th century in the wake of Jan van Eyck, the Master of Fl?malle and Rogier van der Weyden. Their principal innovation was to apply optic realism to devotional or mystical subjects. Although Memling lived in the turbulent period of transition from the Burgundian ruling house to that of the Habsburgs, little of this is evident in his work. His commissions were almost exclusively from rich burghers in Bruges (bankers, merchants and politicians) or churchmen and the occasional aristocrat. Often they were foreigners, especially Italians, who had political or financial connections with the town, whose central economic position was to last only a few decades longer. They had Memling paint their portraits, bust or full length, in devotional paintings or on altarpieces for their chapel in Bruges or back home. He seems not to have received official commissions (from the town council or court). An exceptional proportion of this oeuvre has survived. Besides about 20 altarpieces, often in several panels and of considerable size,
Per Ekstrom
Swedish, 1844-1935






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